Archives for posts with tag: Estacao da Luz

Moon and stars ceiling light, Julio Prestes Cultural Center / Sala Sao Paulo

Concerts at the Sala Sao Paulo tend to be spoken of by venue rather than by performer or composer, and you soon see and hear why. From here, coffee from the interior of Brasil was taken by rail to Santos to be shipped to the world. This building has led many lives.

Ex-entrance hall, Estação JP

These days the acoustics of the former Julio Prestes railway station or ‘JP’ are world-famous. It is compared with the best classical music venues, which whether by ‘feel’ – Amsterdam’s Concertgebouw – or by acoustic science – Boston’s Symphony Hall – were purpose-built. All the more commendable that the happy accident of the station’s ‘shoebox’ shape was enlisted for the permanent home of the São Paulo State Symphonic Orchestra OSESP.

Cast iron stairway, HQ of Estrado Ferro de Sorocabana

On Sundays at 1100 am the Sala holds a regular free Matinais concert. The house rules – no eating or drinking, no wearing of shorts, no clapping between movements – suggest an educational remit for this joint State and Federal government project.

Former open-air courtyard of the Estação JP

Last Sunday the Sala hosted the Orquestra Sinfônica de Santo Andre, under the baton of Carlos Eduardo Moreno. The traditional programme – Beethoven’s Fifth, a bassoon concerto by von Weber – showed off this regional orchestra to perfection. Strong instrumental playing and a beautifully controlled ensemble responding vivaciously to the Maestro’s reading gave a capacity audience some spine-tingling moments.

Concert platform

The acoustic is indeed excellent. While the glories of the 1920s neo-classical building are preserved, the main focus of the restoration was the sound: the suspended adjustable ceiling, the sound-absorbing floor, the ‘air lock’ entrances, the thermo-acoustic roof, the placing of the seats, all were designed to optimise the flow of sound. US specialists Artec created an auditorium in 1999 which eliminated the noise of passing trains. The trains no longer run, but the acoustic is outstanding, crisp though not too dry, and the hall is a pleasure to run your eyes over as you enjoy the music.

Orquestra Sinfônica de Santo Andre in action

The enthusiasm of the 1500-strong audience confirms the wisdom of this spend, an investment in the long-term health of Sao Paulo’s musical life. Yet this miracle of a concert hall is just a few blocks away from the current Metrô station, the Estação da Luz, and the desperate and destitute who frequent the Jardim da Luz over the road.

Campanile of the Estação JP from the Estação da Luz

Searching for the Sala, we mistakenly parked alongside Luz, and asked the locals who had appeared from nowhere for directions to the Sala. They indicated the Estação da Luz, and suggested we should pay them to look after the car, to prevent it from being scratched. This being a fact of Sao Paulo life, I gave them R$10 as we got out of the car. It was then that we were told that the Sala was a few blocks walk away, in the other direction. We drove on wiser and they R$10 richer. The contrasts of life in Sao Paulo were thrown into sharp relief.

http://www.osesp.art.br/portal/paginadinamica.aspx?pagina=salasaopaulo

www2.santoandre.sp.gov.br/page/1524/34

The view from outside the Pinacoteca do Estado de São Paulo

Standing outside the Sao Paulo state art gallery, it’s as though the city is trying to make a point of its own about art: this enormous mural on the side of a nearby building seems to say “Art is everywhere, not just in there!” as the groups of guided children are escorted in.

The building itself, once a vocational school for the applied arts, has been ‘made over’ sensitively, and houses a fine collection of painting and sculpture, as well as putting on a programme of events, and an education programme. The cafe is decent too.

The restored Pinacoteca building

On the day we visited, an American flautist was setting up the sound equipment for a piece in which she used a delay to repeat her phrases so that she could accompany herself, on a quartet of flutes of different sizes. It made for a mesmerising sound, echoing across the glass-roofed interior and around the raw brick galleries.

Flautist and delay, Pinacoteca Sao Paulo

The gallery is set in the park of the Jardim da Luz, better known as the haunt of drug users and prostitutes than for its 19th century function as a botanical garden. Nonetheless it is a pleasant public space, complete with gravelled walks, statuary, pools and fountains, and an elegant art nouveau bandstand. On the day we were there, the group of men at its base were absorbed in their dice game. You had the impression that all the aspects of its heritage were still in full swing, except perhaps the music.

Playing in the Jardim da Luz

People sat on benches in the dappled sunlight, enjoying the relative quiet and fresh air, walking with their young families, or taking a break from work. The mature planting cast cooling shade over it all.

Mature bamboo in the Jardim da Luz

Across the road, the iconic English-designed Scottish-built Estação da Luz rail and metro station geared up for the home time rush. Ironically, the Museu da Língua Portuguesa language museum now housed on its first floor was not signed at all. Another time perhaps …

http://en.wikipedia.org/wiki/Jardim_da_Luz

http://en.wikipedia.org/wiki/Pinacoteca_do_Estado_de_S%C3%A3o_Paulo

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