JazzB is an intimate jazz venue in downtown Sao Paulo. The area is better known for its sex industry workers and drug users than for cosy music venues, but it doesn’t feel unsafe. Of course there are exceptions, but the taxi driver says it’s fine, and it doesn’t seem threatening. It’s lively, with lots of folk on the streets, and plenty of neighbourhood bars. JazzB is in the Rua General Jardim, which runs west from the Praça da República in the area known as Vila Buarque.
The bar seats around 100, and divides into two areas, to accommodate two types of customers. At the front behind large plate glass windows are tables and chairs at which couples and friends out for the evening sample the bar food and the wide range of bottled beers.
The bands play in the corner of the L-shaped space, facing a set of tiered seats which rise to the ceiling in studio theatre style. Here jazz aficionados can appreciate the music without too much interference from the chat of those who come to talk against a jazz background.
Not long open, JazzB is already a landmark venue for the adventurous tourist – my fellow guests included a young Japanese man who perused his guidebook as he waited for the band.
On Saturday we were favoured with an evening of improvisation from the Jorginho Neto Quinteto. Jorginho is a virtuoso trombonist, who has played at festivals in Brazil and in New York. An alumnus of the Orquestra Jovem (Youth Orchestra) Tom Jobim, he plays with the highly regarded Banda Mantiqueira jazz ensemble and other Brazilian jazz groups. On Saturday evening, he played with Daniel D’Alcântara (trumpet and fugel horn), José Luiz Martins on piano, Bruno Migotto (bass), and Edu Ribeiro guesting on drums.
D’Alcântara is another stalwart of the Brazilian jazz scene, playing with the Orquestra Jazz Sinfônica de São Paulo and teaching at Sao Paulo’s premier jazz music school, Souza Lima. The two brass players had great fun passing phrases back and forth as they led, alternately and together.
Both players also stood back to let the trio of younger musicians have their way. Edu is a fine and energetic drummer, taking some inventive solos, occasionally accompanied by percussion on his acoustic bass from Bruno Migotto. (That explains the wear marks!) Migotto handles his instrument with enthusiasm and infectious enjoyment. The raised eyebrows were saved for explosions of invention from Martins at express train speed, which Neto brought back to walking pace with masterful finesse. These players would be at home on any stage, truly world class. Here’s their version of jazz standard The Nearness of You.
See http://jazzb.net/ for JazzB’s current programming.
P.S. If you sit on the stadium seating rather than at tables on ground level, AVOID the top tier, especially near the noisy service lift. You’ll be bumped repeatedly by clumsy serving staff, and distracted by noisy staff and customers at the downstairs bar below.